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Posts tagged REVOLUTION

Review: Ahdaf Soueif’s Cairo

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Even during the most mundane times cities experience processes of transformation but sometimes it takes a revolution for these transformations to become legible, visible and tangible. The political upheaval sweeping Egypt since 2011 has put into sharper relief the many challenges Cairo and its residents have been experiencing for decades. The heightened sense of possibility has given many Egyptians a renewed sense of belonging and offered many an opportunity to revisit the ways in which they experience Cairo in the present and their role in shaping its future and in telling its story. Ahdaf Soueif’s Cairo: Memoir of a city Transformed is born out of Egypt’s struggling revolution and it beautifully captures the essence of its struggling capital city.

Soueif waited twenty years since she was first asked to write a book about Cairo. During those twenty years one president ruled with a false promise of reform and democracy. During those twenty years a security apparatus grew stronger and suppressed dissent, intervened in all aspects of everyday life from education to urban planning and along the way Cairo had fallen into a state of desperation. The city became a place where the poor from other cities and the countryside escape to in search of opportunity that wasn’t there. Cairo also became a place to escape from, for those who could, in search of a promise for a better quality of life on its desert outskirts in gated compounds and in search of work in Gulf cities rising as quickly as Cairo was falling. During those twenty years Soueif refused to write her Cairo book, she tells us, because it would have read like an elegy.

The great city of Cairo has been the subject of many books that aim to capture its complexity, chronicle its many events across time and navigate its bewildering urbanity across space. However, being such an ancient city with thousands of years of history and such a massive metropolis stretching for miles with dense urban life, many past attempts to write Cairo have taken on too much. Soueif’s memoir of Cairo is at once grounded in particular places and particular events while still shedding light on a social and political reality and an urban geography that stretch far beyond those narrated in the book. Soueif makes visible neighborhoods, streets and buildings that rarely get named in English language accounts of the city. The reader is invited to learn about Shubra, where her parents lived, Abbasiyya, where a major confrontation between protesters and armed forces and thugs took place, and Lazoghli where the fortified Interior Ministry is located but also where young Soueif watched the screen of an open-air cinema from a window above. Sites of memory and locations of historical events past and present are narrated in unison drawing a personal map for us, the readers, to be able to navigate a city inhabited by millions.

Cairo invites readers into an ongoing event, the revolution, taking place in an ever-transforming city. The fate of the revolution and of the city are unknown, both struggling in a state of in-betweenness. The revolution is in between a tug of war between multiple factions primarily the Islamists, military and old regime with their access to networks and funds. The city is also in a state of in-betweenness struggling to remain a place of everyday lives and a place of momentous events despite violent clashes and virginity tests. Buildings with layers of history and symbolism such as the Egyptian Museum gain layers of painful memories, as they become temporary detention centers and places of torture. The book also occupies an in-between space. Cairo sits comfortably between genres and Soueif seamlessly shifts between positions from acting the revolution to writing about it. The end result is not a record of what happened as much as it is a thick description of a particular time and place, infusing the personal and collective, a palimpsest of the revolution and of Cairo.

Cairo: Memoir of a city Transformed is the US edition of Soueif’s 2012 book Cairo: My City, Our Revolution. As events evolved and the revolution transformed what remained was the memory of the initial eighteen days that led to Mubarak’s ouster. The US edition preserves the integrity of the original text and picks up where the UK edition left off. Cairo should attract a general audience seeking a different perspective on recent events in Egypt that saturated the news cycle. Cairo should be read as part of a landscape of cultural productions such as the documentary “The Square” and the film “Rags and Tatters.” Together these productions shed light on the revolution and on Cairo in ways that pundits and historians are likely to fail.

*A version of this review will be published in the Review of Middle East Studies (RoMES).

Postcards from Revolutionary Cairo

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By Jonathan Guyer

I was in Marrakesh two weeks ago, which is teeming with tourists of all stripes, decked out in tank tops and short shorts. Coming from Cairo, I found the swaths of high school groups, families pushing strollers, and long lines outside museums to be a bit of a shock. We don’t see these folks in Egypt anymore. The outside world’s perception of Cairo as a dangerous battleground has devastatingly affected tourism.

The idea of my postcards from revolutionary Cairo is to re-think Egypt’s tourism industry—the new historic sites here that people across the world must see for themselves. I’m not advocating for war tourism or the fetishization of blight (as a Detroiter, I’m all too familiar with what has so aptly been called “ruin porn”). Rather, I intend to depict sites that Cairenes see everyday and would want to send to friends outside of the country. 

Postcards almost always play off of the tourist’s imagination rather than the local resident’s appreciation of “attractions.” While paying homage to the colonial, Orientalist posters of the early 20th century, I hope to tease out the tensions and contractions of marketing contemporary Egypt. The burnt out National Democratic Party building and the half-built Nile Ritz Carlton are vistas as essential to Cairo’s skyline as the pyramids. 

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Jonathan Guyer is a Fulbright fellow researching political cartoons in Egypt and associate editor of the Cairo Review of Global Affairs. He blogs at Mideast By Midwest and tweets @mideastXmidwest

Revolution, political transformation and urban space in “Ezbet El-Haggana”

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[Initiative of cleaning the area’s entrance by young residents of neighboring districts in partnership with young residents from the area.]

Based on fieldwork conducted in March 2011, this article presents a snapshot view of the period immediately after the start of the revolution and how those events and political shifts affected the residents of one of Cairo’s ‘ashwa’eyat (Informal urban areas). The article first appeared in ArchiAfrika Newsletter in July 2012.

By Hassan el Mouelhi

“‘Aish, horreya, ‘adalah egtema’eyah”

Hundreds of thousands of Egyptians kept on chanting (Bread, freedom, social justice) in the main squares all over Egypt for 18 days. People from different classes, different education levels, and different generations were there. Things are changing! And tomorrow will be better! This feeling was spread between Cairo inhabitants, especially the youth, regardless where they are living.

Relation to government: Police is a part of “El-H’okouma,” meaning, the government. Youth in Ezbet El Haggana (referred to as EH in the remainder of the article) developed a negative relationship with the police (fear, mistrust, hate) because they feel discriminated against only because of where they live. During the last 3 months of each year (when police officers are expected to meet their quotas in the number of arrests), it is advisable not to go outside the EH area alone late at night. If someone from EH was stopped by the police somewhere in Cairo, and was asked to show his I.D., and they recognized that he is from EH, chances are high for him to be treated disrespectfully, even if he had not done anything wrong. Two youth told me their stories with the police in the streets outside the EH area: when two young males were stopped by police and asked to show identification, the one with his place of residence in Heliopolis was set free, while his friend with a place of residence in the strangely named KM 4.5 (kilo arba3a we nos, the official name of EH) was arrested. The police give the youth of EH special treatment based on the perceptions of this particular part of Cairo.

When residents moved to KM 4.5 or EH area, they often refused to officially change their addresses as to avoid hassle by the authorities. This was the case with Mohamed El Fallah, who moved to KM 4.5 from El-Wayly (a historic district) nearly 12 years ago. Mohamed’s ID still lists El-Wayly as his area of residence.

As a reaction, this level of discrimination has caused the youth of EH to develop a feeling of hatred towards the police in general. The youth here were happy after the defeat of the police on 28th January and their draw back and disappearance from Cairo streets, as this meant to them that they were free of the systematic discrimination that was part of their daily life. From their point of view, they thought that this was one of the most positive consequences of the revolution.

‘Ashwa’eyat image in Egyptian Media:

Through the semi-structured interviews, I tried to find out what the residents of the area think about different recent Egyptian films that discussed life in “’Ashwa’eyat.”  Ashraf said: “such crimes or illegal immoral activities like drug dealing and prostitution are shown in the movies as if we are all like that. While in reality, yes they exist, but spread in different streets, and in a very personal individualistic scale.”

Interviewees agreed that films and other media propagate negative attitudes towards places represented on the screen that they identify as “home.” Khalifa commented on how the media shows Ashwa’eyat residents as criminals and drug dealers:“We have bad people in our area, but in a certain small spot, not everywhere!”

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[During the celebration of the revolution, March 2011]

Revolution and political transformation:

It was clear from my interviews with residents that they started to feel empowered after the revolution, feeling that their future might be better, hoping for more justice, especially social justice.

Ezbet El Haggana follows “Madinet Nasr” in the parliament elections. Madinet Nasr, in contrast with EH, is a formal planned district for middle-high class residents, known for its sufficiency of services. Parliament candidates usually start their campaigns in EH giving promises for providing more services to the area, more job opportunities and improving the quality of life in the area. In addition, those candidates who do not belong to the area distribute money and food bags to buy the votes of poor residents. Residents confirmed these practices continuing during recent election campaigns when politicians hire local middlemen to buy votes of the area’s most vulnerable residents.

EH residents are vulnerable to vote buying because of their desperate economic situation. Nagwa Raouf, architect, Emaret El-Ensan foundation- Founder/President board of trustees, witnessed drastic changes in the behaviors of the residents and the way they deal with corruption in the early days of the revolution. She commented on the first days of the revolution and its impact on the area: “…there is a lack of money in the area, because most residents earn their money on daily bases in the field of construction, which has almost stopped during and the days after the revolution till now (March 2011)”

The general economic recession, and especially in the field of construction that followed the revolution was reflected on the whole EH community. But it wasn’t only those working in construction who were affected. Mahmoud, a 25-year-old café waiter originally from a village in “Fayoum,” commented on the costumers of the coffee shop where he works:“The revolution is a disaster, everything in the country stopped, no work and no police. The coffee shop is suffering, as for the customer who was used to drink 5-6 cups of tea a day before the events, now, he drinks just one, if he comes at all! The truck owners who were used to have 5-6 transfers per day, now, its only once or even nothing!”

image[Amir fel Tahrir: Amir, 21, from Ezbet El Haggana area, sharing in the demonstrations in Tahrir square, Feb 2011]

Sustaining changes in attitudes:

Nagwa told me some stories that show how this community could confront problems, based on their solidarity and good communal relations:

1.     Gas tubes got to be very expensive (50 L.E. each) while normally it costs 10 L.E!  This led some youth to face this phenomenon, and they gathered the empty tubes from the neighbors, gathered 10 pounds from each of the neighbors, rented a car, and went to the main storage, paid 5 pounds for each, and 5 pounds for the car rent, and returned and distributed the tubes on the neighbors again.

2.     The quantity of bread produced by local bakeries was not enough of because of flour shortages. Flour for local bakeries, which is subsidized by the government, was sold to private bakeries for maximum profit. Some residents decided to face this policing bakeries and preventing owners from selling subsidized flour to private bakeries. Inhabitants pressured local bakeries to meet the demand for bread by negotiating additional work shifts.

3.     young residents initiated street cleaning campaigns resembling what happened in Tehrir Square. It was repeated in different EH neighborhoods, and was joined by children.

When cleaning the streets, 17-year-old Sara experienced some difficulties because of the stigma associated with the act of collecting garbage. Eventhough she was cleaning her community some of her neighbors, particularly older generations, made light of her activity. She wondered “… are they used to live within garbage, and can not live with a clean street?!” Her group of friends supported each other until they completed the task. 

Some links were established with neighboring richer communities. Cleaning the entrance of the area was arranged by “Al Seddik” mosque youth NGO located in “Massaken Sheraton” which is considered part of Heliopolis, a middle/high class district. On Friday 4.3.2011, about 150 boys and girls, aging from 16-26 years old gathered from different surrounding districts (Heliopolis, Nasr City, Al Rehab, El Tagamo’).  They swept the streets, removed garbage, and painted fences. Youth from both genders from districts of varying economics worked together, made friends, exchanged stories and perhaps established for themselves a newfound community of active citizens. 

Another resident, Ashraf spoke of the impact of the revolution on the attitudes of the daily labor. It happened just after some weeks from the start of the revolution and inspired by it, the concrete workers had a protest, asking for raises in daily fees from 60 to 65 L.E; it took them 2 days to get what they asked for. Hany (20 years) said about the revolution:

“…We want to eliminate corruption (Ezz, Adly, Shafik). Finding a job needs connections, and treatment in Police station was unfair. It will take some time, change won’t happen overnight.”

Three of the young residents accompanied me to Tahrir Square on one of the large Friday demonstrations in March 2011, a couple of weeks after the stepping down of Mubarak. They were proud of being there and of taking part in the process of changing the political reality of Egypt. I knew from them that they (among others) wanted to go to Tahrir Square again for other demonstrations. However, by late March 2011 the media had started to use terms such as “looters” and “thugs” and they were afraid of being mistaken for criminals, only because they live in KM 4.5 (EH). This shows that the mistrust problem between EH residents, especially the younger generation, and the government is still unresolved.

To conclude, the Egyptian scene in the last year following the revolution has witnessed monumental change in Egyptians’ aspirations and dreams. This has had a felt impact on the behaviors and attitudes of Egyptians in urban spaces, particularly previously disadvantaged residents such as those from EH. Their awareness regarding their right to the city has increased. The question now: How can this newly found right to the city be secured through the subsequent political process?

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Hassan el Mouelhi is an architect, Emaret El-Ensan foundation board member, DAAD scholar and PhD student at Technical University in Berlin, Habitat unit. This article is a part of Hassan’s ongoing PhD research.

Event: CEDEJ Conference on Revolutions and Urbanism

CONFERENCE IN CAIRO: ‘REVOLTS AND TRANSITIONS IN THE ARAB WORLD: TOWARDS A NEW URBAN ENVIRONMENT?’

The CEDEJ, a French research centre in Cairo, holds a public conference on urbanism and the revolutions throughout the Arab world on November 7th-8th-9th

 

A French research centre on the social sciences, the CEDEJ is organizing a conference on the urban aspect of the current events that are re-shaping the region. The event will include short lectures by academics and experts on the region, followed by a debate. The final session on November 9th will include an open debate on the urban prospects for Egypt with actors of civil society, NGO members and policy-makers. The conference is open to the public and will take place on Wednesday the 7th (10h-19h), Thursday 8th (9h30-19h) and Friday 9th (10h30-16h30) at the French Cultural Institute of Egypt (IFE) in Mounira. The language spoken will be English and French (with automatic translation between the two). For further information, visit the CEDEJ website, or request a prospectus.


To download the pdf of the conference program, click here.

Jadaliyya: An emerging memorial space? In praise of Muhammed Mahmud Street

By Mona Abaza

Mohammed Mahmud Street, also known as sharei’ uyuun al-hurriyyah (the street of the eyes of freedom), is becoming an iconic space. The street has been recently discovered by numerous photographers and passersby, not only for its mesmerizing graffiti but also for the curiosity it has raised; for the remembrance of the martyrs who were killed there; for journalists who still want to investigate the violent events that took place around that area during the course of the past year and follow-up on how the quarter is coping with the barricades and walls erected by security forces; for its dwellers who suffered not only from skirmishes but also the use of lethal- and tear- gas by anti-riot police during successive clashes; for its popular cafés juxtaposing  the murals; and, last but not least, for those who still remain nostalgic about popular life around the old campus of the American University in Cairo (AUC).

Mohammed Mahmud is one of the main streets leading to Tahrir Square. It includes the back entrance of AUC. This street will remain a memorable space for the revolution because it witnessed some of the most dramatic and violent moments this past November, December, and February, including the gassing, killing and disfiguration of hundreds of protesters by Egyptian police forces. During these events, police gunmen and trained snipers had reportedly targeted (and in some case eliminated) the eyes of protesters.

In the aftermath of clashes between protesters and security forces that took place between 19 and 24 November 2011, Mohammed Mahmud Street witnessed the erection of a cement block-stones-wall that cuts it in the middle and separates it into two different areas. It also witnessed the destruction of this same wall in February 2012 by the revolutionaries and residents who at the time were engaged in similar confrontations with security forces. It later witnessed the construction of more walls and barriers that blocked various side streets leading to the main parallel Sheikh Rehan Street, the location of the monumental Ministry of Interior, currently protected by tanks and wired checkpoints.

Artists in Cairo use graffiti to honour Egypt revolution’s martyrs

Running south from Tahrir Square toward Egypt’s interior ministry in central Cairo, Mohamed Mahmoud street has become one of the revolution’s most violent battlegrounds. Twelve people died in the area during February street battles between protesters and police stemming from a deadly football riot in Port Said.

With the neighbourhood calm, at least for the moment, Mohamed Mahmoud now serves as a canvas for some of Egypt’s most creative revolutionary street art.

Murals portraying the revolution’s dead as martyrs and the military as a predatory monster spread along walls next to figurative paintings that draw inspiration from millenia-old pharaonic art. Nearby, the artists debate with anxious business owners, and the revolution continues.

Al Jazeera’s Rawya Rageh reports from Cairo.

Egypt’s Interior Ministry — Continuous Object of Anger and Dissent

For well over a year now, the center of Cairo has been a flashpoint for violence between protesters and security forces. But not all of it happens in the city’s now world-renowned Tahrir Square. The Ministry of the Interior, an institution long dreaded by many Egyptians for its brutal police force, is turning into a new battleground.

Jadaliyya: Struggles that fueled a revolution

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Bulaq: Among the Ruins of an Unfinished Revolution. Directed by Davide Morandini and Fabio Lucchini. UK/Italy/Egypt, 2011.

“Bread, freedom, and social justice” has been one of the most memorable chants from Egypt’s year of mass protests. Although world and Egyptian media have been fixated on the symbolic Tahrir Square, little attention has been directed towards places where many Egyptians converging on the square actually live. Bulaq, only a few hundred meters north of Tahrir Square, is one such neighborhood. The residents of Bulaq represent the essence of why Egyptians erupted in mass protests last year. This is a community that has suffered for nearly forty years at the hands of the Sadat and Mubarak regimes, which aimed to erase the district from Cairo’s map. Bulaq: Among the Ruins of an Unfinished Revolution is a short documentary film that shifts the focus from the square and into a community at the heart of the struggle for social justice.

The twenty-five minute film by Davide Morandini and Fabio Lucchini documents a deteriorating residential district where residents have faced police brutality and forced evictions for decades. Residents speak directly to the camera, sharing their ordeals and personal experiences. Although those voices speak for the specific case of Bulaq, they also reflect a wider struggle by an entire class of citizens the Egyptian government has long disregarded. As a recent Amnesty International report states, the government has used the longstanding Emergency Law to legitimize its repressive policy of forced evictions targeted at populations in areas such as Bulaq. The repeal of the Emergency Law and the demand for social justice, including housing rights, have been cornerstones of the Tahrir movement. Bulaq threads together these many strands, along with providing a rare look into the everyday lives in popular neighborhoods such as this one.

Nearly sixty percent of Cairo’s residents today live in so-called “informal areas.” These are areas that urbanized without the guidance of a government-approved urban plan. A more accurate description of those areas is “improvised urbanism,” as they continue a long tradition of improvised planning found in Cairo for centuries prior to the city’s relatively brief encounter with formal planning from the mid-nineteenth to the mid-twentieth centuries. From the 6th of October Bridge, Bulaq may appear to be another of Cairo’s informal communities; however, this is in fact one of Cairo’s oldest districts.

In the fifteenth century, Bulaq was Cairo’s main commercial port and was home to some of the city’s wealthy merchant families. The district was also home to the Egyptian Museum in 1858, and Muhammad Ali’s Bulaq Press was established in 1820. Throughout its history, the district developed organically as a middle and working class neighborhood with an interesting variety of domestic architecture. Despite this rich history, today the word Bulaq is synonymous with collapsed homes and desperate living conditions. It is a community under constant threat from the authorities.

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Because of its central location, the district has been envisioned by various regimes as a clean slate for the implementation of new urban models. The film does not cover the trajectory of current state policy towards the district, which can be traced back to 1930, when a plan proposed the reconstruction of the district. Another 1950s plan proposed to “cleanse” Bulaq by replacing its rich fabric with massive modernist blocks surrounded by gardens. These earlier visions remained only on paper. In the 1970s, however, Sadat envisioned the area as a new business district to showcase Egypt’s economic realignment with global capitalism. An aggressive campaign of forced evictions and relocation was commenced. Residents were forced out of their homes and given flats in concrete blocs built on the desert fringes of Cairo. This campaign continued under the Mubarak regime. One of the residents filmed narrates her ordeal when she was evicted in 1982, only to return later.

The film portrays the intimacy and sense of community that Bulaq offers. It also highlights the sense of security provided by living within such a community. Despite the economic hardships and the deteriorating physical environment, the community is thriving socially. The filmmaker intercuts interviews with scenes of everyday life: a woman smoking outside her home, a butcher cutting meat, a child on a bicycle, and a man who is uncomfortable with the presence of a camera and demands to know what is being filmed. Because this has been an ongoing struggle for decades, it has become an intergenerational struggle where young adults echo the concerns of their older neighbors. The film succeeds in highlighting the fact that strong social ties and a community’s sense of ownership of place are far stronger than state plans and oppression. In light of this long struggle, as well as this last year’s unfolding upheaval, the film captures a sense of anxiety and uncertainty.

However, the film lacks historical perspective and context. Although it focuses on the present situation, particularly in light of the revolution, it could have benefited from a well-researched introduction. While the English translations are fairly accurate, the interviews fail to capture how the residents of this community fit within the larger context of Cairo. Also, it would be useful to link the experience of Bulaq to other communities in the city suffering from the same state-sanctioned brutality and eviction. Another shortcoming of the film is its one-sidedness. It would have made a stronger case against government policies if the audience had the chance to hear from officials directly how they view the issue of Bulaq. The multinational developers and hotel chains that also benefit from this government policy are also unheard. An interview with the management of the Hilton Hotel overlooking the district, for example, could have been interesting.

The film is well shot and provides a series of sharp images ranging from intimate close-ups to wide panorama shots. The filmmaker uses a combination of still frames for scenery along with moving shots where he follows some of the film’s characters as they traverse Bulaq’s streets. The sound quality and editing are well done.

The strongest aspect of the film is the residents’ direct address to the audience without the mediation of a third party. They are strong-willed. They know their rights and they demand justice regardless of the obstacles. “Those responsible for demolitions have to be tried,” says one man. “In neighborhoods like Bulaq we love each other and work together like one family,” says a woman. Another man confirms that “the owners of this place are the people living here; we own this place.”

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Bulaq: Among the Ruins of an Unfinished Revolution provides a much-needed portrait of the real places where Egyptians live. Officials turn a blind eye to the community they were elected to serve. With Egypt’s centralized governance and lack of local authority, Bulaq residents continue to live under the threat of forced evictions and demolitions. Their right to the city is constantly under duress. Meanwhile, the government carries on with its Cairo2050 plan that aims to transform the area into a zone of glass towers and international hotels. Currently under construction is the St. Regis, a six star hotel along the Nile turning its back on Bulaq.

Egypt’s revolution is about the people of Bulaq and their rights. It is about ending crony capitalism that allows such a disregard for citizens while making concessions to international corporations that aim only to increase their profits rather than develop and rejuvenate communities. As was the case with many Egyptians, the eruption of the revolution gave hope to the people of Bulaq. However, over the course of the past year, little has been done to ensure that the violations of the past and state oppression will end. In this sense, Bulaq continues to wait among its ruins for the still unfinished revolution to deliver real change.

*First two images are screenshots from the film.

Bulaq - Among the ruins of an unfinished revolution.

On 25th January thousands of Egyptians gathered in Cairo’s Tahrir Square, sparking what we call now the Egyptian Revolution. Only a few hundred meters far from the world-famous square, the people from popular neighborhood Bulaq joined protesters, finding in demonstrations something more than a glimmer of hope. Through their voices, ‘Bulaq’ portrays their collective struggle against eviction and social marginalization, whose destiny seems to be strictly intertwined with the hesitant fortunes of the Egyptian spring.

Runtime: 25 min

Urbanizing the Counter-Revolution

Excerpt from an article on Jadaliyya.com

The Tools of Occupation

The events of the past eleven months have put into focus the notion of the “postcolonial.” During the past decade it was becoming increasingly clear that postcolonial regimes only serve private interests, the interests of multinational corporations and the strategic interests of superpowers, not the people they rule. Recent events in Egypt further highlighted that Mubarak’s regime reinvented colonial rule by fashioning itself in a nationalist guise while occupying the role of colonizers, exploiting resources and labor as well as using state institutions in the service of a select group of neoliberal capitalists. Now parts of Cairo actually look like occupied territory with streets blocked with barbed wire, military checkpoints, and stonewalls. Besides the neocolonial economic and social patterns encouraged by the regime, recent events have given it the visibility of a colonial occupation in the urban environment.

One striking spatial and visual component of the SCAF’s handling of these episodes of urban crisis is the erection of walls. The concrete wall erected at the Israeli Embassy on the eve of its attack was reminiscent of the Egypt-Gaza barrier, the Israeli West Bank barrier, or the Green Zone wall in Baghdad. After five days of fighting the army finally decided to end the Mohamed Mahmoud episode by stacking stone blocks across a typically busy street that is home to the American University as well as multiple schools and apartment buildings. On December 17 large stone blocks similar to those positioned in Mohamed Mahmoud Street were placed blocking Qasr el-Aini Street, one of Cairo’s major avenues and the site of the ongoing clashes. Furthermore, after forcibly evicting protesters from Tahrir Square in August, security forces were made to stand in the summer sun during the fasting month of Ramadan shoulder to shoulder forming a human wall around the traffic circle. Walls and fences in different variations are not new to the Mubarak regime, which erected them around public buildings, museums, government offices, five-star hotels and even sidewalks in key locations. Many police stations have watchtowers. This architecture is one of occupation. It reflects the ways in which the state views its citizens.

Secondly, no one has been held accountable for the loss of human life since the SCAF took control. In every incident described above, the authorities have completely evaded responsibility, despite claims that investigations would take place. Hundreds of documented deaths and thousands of injuries later, not a single investigation yielded any results. Authorities have denied the use of force in every incident and, even worse, in some cases—such as the Abbasiyya and Maspero incidents—the army called for “honorable citizens” to protect them from supposed attackers—who in reality happen to be protesters. In other cases the army cited self-defense as an excuse for injuries afflicted on protesters. The aggressor is playing the role of the victim, a typical trademark in the Israeli-Palestinian conflict but also in the US occupations of Iraq and Afghanistan. Someone is getting away with murder.

The third tool of occupation is the unprecedented use of the human body as a political battleground. From virginity tests and sexual molestation of both male and female activists, to beatings and mutilation, the rulers of Egypt during the “transitional period” are resorting to a cornerstone in colonial occupation. Bodily violence has been a consistent feature of colonialism from the German occupation of southwest Africa to the Abu Ghraib torture and prisoner abuse scandal. The purpose of inflicting pain is to ensure compliance and intimidation. Such violence took place extensively during Mubarak’s tenure. However, the recent shift has been the marked publicity of such actions where torture and physical violence occur in streets and public squares in the presence of cameras and eyewitnesses.

Structured Violence

Death used to be a big deal not too long ago in this part of the world. One year ago on 17 December, when Tunisian Mohamed Bouazizi set his body alight out of desperation, his act caused an entire nation to rise and revolt. In Egypt, Khaled Said’s death was a turning point and a spark for Egypt’s revolution. A year later, state violence has become urbanized, more public, and systematic. During the raging battle on Mohamed Mahmoud Street, life went on as usual only a few streets away. The authorities have structured urban violence into daily life to such an extent that it is becoming acceptable to a sizeable portion of the population who continue to be silent. Those not at the scene of the crime grow further alienated by “the Tahrir people” as the protesters are condescendingly referred to. Today, one of those murdered “Tahrir people” was a medical student, Alaa Abdel Hady, who has been helping at the field hospital since the beginning of the uprising. Another was Emad Effat, a cleric from Al Azhar University.

During protests and sit-ins Tahrir has become a revolutionary ghetto. Television channels have twenty-four-hour cameras pointed at Tahrir and other sites of protest so that for audiences at home Tahrir has become just another channel. One year ago the National Democratic Party was celebrating a sweeping “win” in the parliamentary elections and today amidst all the unprecedented and fabricated violence elections are taking place where there is a clear “winner.” Between those two elections a revolution started but not one of its goals was met, the most urgent of which was the respect for human dignity. Perhaps the most illustrative image that emerged from today was of military personnel in uniform urinating on protesters below from the roof of the parliament building.

Read full article, here.

These Statues

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In April of 1953 Al Musawwar, a popular weekly magazine since 1924, published the answers of eight prominent figures in post 1952 Egypt. The question: Should Cairo’s statues remain or be removed? The question was raised as these statues were erected during the dynastic rule that was just overthrown less than a year earlier. As the editor explains, most of these statues were part of a pompous iconographic program that was self congratulating.

The respondents included: Nour el Din Tarraf who later became prime minister ‘58-‘60, and then officer Anwar Sadat. 

The responses ranged: “The everyday hero, the hard worker must be commemorated as well as our true national heroes whom we’ve forgotten about such as Ahmed Orabi.” said Tarraf. “I am against removing any statues, this is part of our history and we must keep it as a lesson to our youth,” said Foad Sadek. We must focus on rebuilding the country, distracting ourselves with such questions will not benefit anyone, there will come the right time when these issues are dealt with,” said Sadat. “building new institutions is important, and so is building statues that commemorate our history, this is not a choice we have to make, we can do both and do them well,” said Muhammad Salah el Din.

In those very early days of transition the issue of commemoration was raised, just as it was recently (removing Mubarak’s name, debate on creating a monument to martyrs/revolution, etc.) The debate is ongoing but like one of the responders said in 1953, we can discuss the issue of commemoration in public space but this should not dominate public discourse as there are other urgent matters concerning the city that must be discussed, namely the lack of effective civil and public institutions that ultimately shape the cities in ways felt everyday beyond the ceremonial and the commemorative.

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